my library: November 2013

Jumat, 22 November 2013

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The fun and easy way to learn to play the mandolin

The newest addition to the highly successful Dummies instrument-instruction line, Mandolin For Dummies gives you easy-to-follow, step-by-step instruction on learning to play the mandolin. Following the time-tested Dummies format, Mandolin For Dummies provides a level of content and instruction greater than anything currently available.

Mandolin For Dummies breaks down the fundamentals of this instrument and provides the resources you need to practice and improve your ability over time.

Packed with individualized instruction on key mandolin-friendly musical styles, including Irish and Celtic, "old time" American music, blues, bluegrass, swing, and jazz
Files available via download provide audio tracks from the book and exercises so you can play along and build your skills -- almost 2 hours of music!
Clear and useful photos and diagrams ensure you fret, strum, and pick with precision
Includes a mandolin buying guide to help ensure you make the right purchases
Tips on restringing mandolins and other DIY care and maintenance topics

If you're an aspiring mandolin player, don't fret! Mandolin For Dummies has you covered.

Sales Rank: #41029 in Books
Published on: 2012-10-01
Original language: English
Number of items: 1
Dimensions: 9.30" h x .80" w x 7.40" l, 1.37 pounds
Binding: Paperback
396 pages

From the Back Cover

Master the basics in no time and learn to play everything from blues and bluegrass to jazz and classical

From Vivaldi to Bill Monroe, and Led Zeppelin to Nickel Creek, the mandolin has been enriching western music with its distinctive voice for nearly three centuries. If you've been bitten by the mandolin bug and are ready to jump in with both feet, Mandolin For Dummies is your springboard. Been playing for a while and want to expand your repertoire of styles? No problem: Don Julin will fill you in on how to play all popular styles, including old-time, Irish, blues, bluegrass, swing, and jazz – plus a bit of Dawg music. Newcomers and old hands alike will enjoy the mandolin trivia and history liberally sprinkled throughout the book.

Get acquainted – buy the best mandolin in your price range and discover how to tune and care for your new best friend
Nail down your mandolin ABCs – get up and running right away with mandolin basics, including counting, tablature, chord diagrams, and more
Start making beautiful music immediately – right from the start, you'll be playing basic chord patterns, backup rhythms, and simple melodies
Quickly master right- and left-hand essentials – before you know it, you'll be picking and strumming, and playing open and closed fingering and articulations like a pro
Get the hang of a multitude of styles – Celtic and old-time music, bluegrass and jazz; you'll get to grips with the defining techniques of the most popular styles of playing

Audio download includes

The musical examples from the book so you can play along
Exercises to help you build your skills

Open the book and find:

A mandolin buying guide
Instructions on changing strings, repairing your mandolin, and keeping it in top form
How to build an accessories kit
The basics of mandolin playing
Left- and right-hand techniques to spice up any melody
How to play many different styles of mandolin
Tips for improving your playing
The lowdown on the greatest mandolin players of all time

Learn to:

Select the right mandolin and accessories
Master various chords and picking patterns
Play Irish, blues, swing, jazz, bluegrass, and old-time music

About the Author

Don Julin is a professional mandolin player, instructor, and recording artist. Don has spent the last 30 years challenging the boundaries of the mandolin and developing a reputation for being one of the most eclectic mandolin players on the scene today.

Most helpful customer reviews

49 of 51 people found the following review helpful.
Comprehensive guide to the mandolin
By Freudian Slips
I've played the guitar for years and have always wanted to learn the mandolin. But when I've tried to play it, it is so different from the guitar that I get frustrated quickly and stop. I got this guide to inspire me to try again-- and it has done that. The only thing I would have preferred (and the reason I didn't give it 5 stars) is a spiral-bound format so I could place it more easily on my music stand. It's very hard to prop it open to the page you want. Dummies guide folks, are you listening?

(December 2013 update to this review: Many helpful readers have let me know that Kinko's has a service where they will convert the book to a spiral bound format. So there you go- problem solved.) But since I have to do this myself, I'm still deducting one star from the review. :)

If the mandolin is your first instrument just remember that learning to play any instrument is an investment of time, patience, and, yes, sore fingers. Those 8 strings combined with small frets can make your hand feel like a large claw trying to find the individual notes-- but hang in there. Take it easy and practice for just 15 minutes or so a day. Once you learn a few chords, you can even practice changing them while you watch TV.

This guide is quite comprehensive and will cover everything you need to know about playing the mandolin. It provides good instruction on selecting the mandolin (support your local music store if you can!); helpful tips for playing (such as "listen to mandolin music"-- just like people who read a lot are better writers, people who listen to mandolin music will be better players); samples of different types of mandolin music; left and right hand techniques, etc.

This book will keep you busy-- probably for at least 6 months-- maybe a year. That's right-- unless you already play, don't expect to whip through this book in a week or so. This is a commitment.

My final suggestion-- join a jam session or start one in your community. Look for old-time, bluegrass, Celtic, or other musical gatherings in your area. Don't worry if you can only go and listen at first. Bring your instrument and strum chords when you can. Gradually you'll learn a song or two and you'll be on your way to a lot of fun.

29 of 30 people found the following review helpful.
most comprehensive and clearly written.
By fcosco
Been trying to learn mandolin for about 4 years via youtube videos and instructional books and this is the most comprehensive and clearly written book i've seen. It covers every aspect of mandolin (this is what a mandolin looks like) through advanced playing techniques.

the heart of the book is chappters 4-14 that start with 2 finger chords and then move on to right and left hand techniques, chord building, picking patterns and applying them to different styles of mandolin music. Bluegrass, blues, jazz, swing, , old time tunes, brazilian and irish music and of course, dawg music.

Two of the best features are that he seems to anticipate every question that most beginner/intermediate players would have and he also gives you a sense of why you do it this or that way. for those severly allergic to music theory (i'm one of them) it's in there but only as it's applicable to everyday playing.

this book actually makes it fun to practice (not noodling), but focused practice. that in itself is a huge achievement. will keep me busy for a few years.

highly recommended.

fred cosco

15 of 17 people found the following review helpful.
Awesome book
By John Kane
This book is absolutely packed full. It features easily understood and outstanding technique instruction ranging from basic to difficult. It also covers music theory, history, music appreciation, the society of mandolinists, the aesthetics and the mechanics and all the fascinating differences of styles. One can graze on the smorgasbord or gorge themselves on any of the many entrees. The chapters on the left hand and the Jethro style chords could be studied and practiced for months. My only criticism is that after reading the chapter on 10 mando musicians to listen to, I had to visit iTunes and am now 100$ poorer.

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Sales Rank: #12573340 in Books
Published on: 2002
Original language: English
Number of items: 1
Dimensions: .0" h x .0" w x .0" l, .83 pounds
Binding: Paperback

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Sales Rank: #2574148 in Books
Brand: Brand: Pfeiffer
Published on: 2004-02-23
Original language: English
Number of items: 1
Dimensions: 9.31" h x 1.06" w x 7.03" l, 1.53 pounds
Binding: Paperback
364 pages

Features

Used Book in Good Condition

Review
"…is a well-researched and practical resource that offers a new model for attaining high levels of creativity in virtual working arrangements." (SirReadAlot.org, 4/27/2004)

Review
“Nemiro has done an impressive piece of research on this so far neglected area—creativity in virtual teams. If you manage or belong to a team that aspires to higher levels of creativity—and what team doesn’t—you’ll find this book invaluable, thought-provoking, and highly readable.”
—Jessica Lipnack and Jeffrey Stamps, authors of Virtual Teams

“Having dealt with small to large virtual teams for over a decade, Dr. Nemiro’s book is the first book to provide a comprehensive, concise understanding of the dynamics and structure of virtual teams. A combination of theory and practical tools for all those either interested in establishing or bettering existing teams.”
—Patricia G. Flores, region account manager, Global Diversity Sourcing, Hewlett-Packard

“Creativity in Virtual Teams is a must read for those who are working on or with virtual teams. It provides methods for continual assessment and learning in developing high levels of creativity in virtual teams. This book is an important resource for teams transitioning into this new way of working.”
—Nancy Sarti, manager, employee development, Southern California Edison

“This is the first serious study of creativity in virtual teams. It offers a comprehensive framework and valuable assessment tools for putting the book’s lessons into practice in any organization.”
—Vijay Sathe, The Peter F. Drucker Graduate School of Management, Claremont Graduate University and author, Corporate Entrepreneurship

From the Back Cover
Building Creativity in Your Virtual Teams

Creativity in Virtual Teams is a well-researched and practical resource that offers a new model for attaining high levels of creativity in virtual working arrangements to anyone who designs, manages, or participates in virtual teams. Written by Jill E. Nemiro–an expert in organization and virtual team building–Creativity in Virtual Teams provides a valuable tool that takes you beyond mere theory. Within these pages, the author leads you through a series of diagnostic tools, questions for reflection, checklists, and exercises that will help you assess and develop the five key components–design, climate, resources, norms and protocols, and continual assessment and learning–that will foster creativity in your virtual teams. In addition, Creativity in Virtual Teams is filled with illustrative lessons learned from nine highly successful and innovative virtual teams.

Praise for Creativity in Virtual Teams

"Nemiro has done an impressive piece of research on this so far neglected area–creativity in virtual teams. If you manage or belong to a team that aspires to higher levels of creativity–and what team doesn’t–you’ll find this book invaluable, thought-provoking, and highly readable."
–Jessica Lipnack and Jeffrey Stamps, authors of Virtual Teams

"Having dealt with small to large virtual teams for over a decade, Dr. Nemiro’s book is the first book to provide a comprehensive, concise understanding of the dynamics and structure of virtual teams. A combination of theory and practical tools for all those either interested in establishing or bettering existing teams."
–Patricia G. Flores, region account manager, Global Diversity Sourcing, Hewlett-Packard

"Creativity in Virtual Teams is a must read for those who are working on or with virtual teams. It provides methods for continual assessment and learning in developing high levels of creativity in virtual teams. This book is an important resource for teams transitioning into this new way of working."
–Nancy Sarti, manager, employee development, Southern California Edison

"This is the first serious study of creativity in virtual teams. It offers a comprehensive framework and valuable assessment tools for putting the book’s lessons into practice in any organization."
–Vijay Sathe, The Peter F. Drucker Graduate School of Management, Claremont Graduate University; author, Corporate Entrepreneurship

Most helpful customer reviews

3 of 4 people found the following review helpful.
A Masterful Work
By B. A. Berwald
Dr. Nemiro has raised the standard on books on virtual creativity. Her expansive and detailed rendering of the subject should help this book find its way to a number of re-issues. As a magazine editor who works with writers from all over the continent, I can appreciate the comparison of differing virtual models. I only wish that I had had Dr. Nemiro's book a decade earlier before I began my career in publishing. Regardless, I am grateful for this book - for the precision work of a fine mind.

5 of 6 people found the following review helpful.
Highly recommended
By DWF
Working in the film business and having been a member of virtual teams in the past, this book has helped me understand why some teams have worked while others haven't. In particular, I enjoyed the section on climate and interpersonal communication and bonding. With the future promising increased use of distance collaboration, this will be my reference for being part of a healthy, productive team. I highly recommend this book.

2 of 2 people found the following review helpful.
Great Book
By Nina M. Edwards
This book was purchased for a grad class. Turned out to be one of the best books I've ever read!! It helped me improve my leadership and team building skills at work and at school. I'm pleased with my purchase :-)

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[M184.Ebook] Ebook Don Quijote de la Mancha. Edición RAE / Don Quixote de la Mancha. RAE (Real Academia Espanola) (Spanish Edition), by Miguel de Cerv

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La RAE, la ASALE y Alfaguara reeditan la edición conmemorativa del Quijote con prólogo inédito de Darío Villanueva

EDICION LIMITADA

Hace diez años, las academias de la lengua española pensaron un Quijote para todos. Hoy se reedita —en edición limitada— para conmemorar los cuatrocientos años de la muerte de Cervantes.

En los años 2015 y 2016 confluyen dos aniversarios cervantinos. A la celebración del IV Centenario de la Publicación de la Segunda Parte del Quijote (2015), le seguirá, en 2016, la conmemoración del IV Centenario de la Muerte de Miguel de Cervantes. Como ocurrió hace más de una década, las academias de la lengua española y la editorial Alfaguara se unen a esta celebración con una reedición de este clásico universal dirigida a todo el ámbito hispanohablante.

Esta edición cuenta con un nuevo prólogo, escrito por Darío Villanueva, director de la Real Academia Española (RAE) y presidente de la Asociación de Academias de la Lengua Española (ASALE), especialmente para la ocasión. Se completa con un glosario formado por siete mil palabras, locuciones, frases proverbiales y refranes, explicados según el significado preciso que tienen en el texto cervantino.

La primera edición de este Quijote se convirtió en un gran éxito de ventas, sin precedentes en una obra clásica. Más de tres millones de ejemplares, distribuidos en España y América, la convirtieron en la más difundida de la historia. A conseguir su carácter divulgativo y su orientación hacia un público diverso y no especializado, contribuyen especialmente las notas contextualizadoras de la obra, preparadas por Francisco Rico. También se incluyen una serie de estudios complementarios, escritos por algunos de los principales expertos en el gran libro cervantino.

Así, Mario Vargas Llosa analiza la modernidad del Quijote en «Una novela para el siglo xxi»; Francisco Ayala reflexiona sobre la construcción de los personajes de la novela en «La invención del Quijote», y Martín de Riquer analiza la obra en el contexto biográfico del autor en «Cervantes y el Quijote». Por su parte, José Manuel Blecua («El Quijote en la historia de la lengua española»), Guillermo Rojo («Cervantes como modelo lingüístico»), José Antonio Pascual («Los registros lingüísticos del Quijote: la distancia irónica de la realidad»), Margit Frenk («Oralidad, escritura, lectura») y Claudio Guillén («Cauces de la novela cervantina: perspectivas y diálogos») abordan distintos aspectos relacionados con la lengua española en la obra cervantina.

A todos ellos se une en esta ocasión el actual director de la RAE, Darío Villanueva, que ha querido «aprovechar la oportunidad de oro que me ofrece hoy la nueva salida de esta edición […] para dar una explicación —mi explicación— de algunos de los porqués del tan alto reconocimiento que el Quijote ha obtenido desde la fecha de su publicación hasta hoy, así como su palmaria modernidad», antes de recordar que el Quijote fue la obra elegida, en 2002, como la mejor novela de todos los tiempos, por delante de En busca del tiempo perdido, de Proust, y de Guerra y paz, de Tolstoi, en una encuesta realizada por la Asociación de Escritores de Suecia entre cien autores de todo el mundo.

ENGLISH DESCRIPTION

Ten years ago, the Academies of the Spanish Language conceived of a Don Quixote for everyone. Now, it is being re-released—in a limited edition—to commemorate the 400th anniversary of Cervantes’s death.

2015 and 2016 bring with them two special Cervantes anniversaries. The celebration of the 400th Anniversary of the Publication of the Second Part of Don Quixote in 2015 will be followed in 2016 by the Commemoration of the 400th Anniversary of Miguel de Cervantes’s Death. As they did more than a decade ago, the Academies of the Spanish Language and Alfaguara unite for this celebration with a re-edition of the universal classic directed at the whole Spanish-speaking world.

This edition boasts a new prologue written specially for the occasion by Darío Villanueva, the director of the Real Academia de la Lengua Española (RAE) (RAE) and president of the Asociación de Academias de la Lengua Española (ASALE). It is complemented by a glossary made up of seven thousand words, expressions, phrases and proverbs, each explained according to its precise meaning in Cervantes’s text.

The first edition of this Quixote became a huge sales success, unprecedented for a classic work. More than three million copies, distributed in Spain and the Americas, made it the most widespread in history. The contextualizing notes about the work, prepared by Francisco Rico, contribute to its educational character and its orientation toward a diverse and non-specialized public. It also includes a series of complementary studies, written by some of the primary experts in Cervantes’s consummate book.

As such, Mario Vargas Llosa analyzes the modernity of Don Quixote in “A Novel for the 21st Century;” Francisco Ayala reflects upon the construction of the novel’s characters in “The Invention of the Quixote;” and Martín de Riquer analyzes the work in the biographical context of the author in “Cervantes and Quixote.”

For their part, José Manuel Blecua (“Don Quixote in the History of the Spanish Language”), Guillermo Rojo (“Cervantes as a Linguistic Model”), José Antonio Pascual (“The Linguistic Registers of Don Quixote: The Ironic Distance from Reality”), Margit Frenk (“Orality, Writing, Reading”), and Claudio Guillén (“The Course of Cervantes’s novel: Perspectives and Dialogues”) deal with different aspects related to the Spanish language in Cervantes’s work.

Joining all this is the current director of the Real Academia de la Lengua Española (RAE), Darío Villanueva, who wants to “take advantage of the golden opportunity that the release of this new edition offers […] to give an explanation—my explanation—of some of the reasons for the high recognition that Don Quixote has gained from the date of its publication until today, as well as its clear modernity,” before reminding us that Don Quixote was the work chosen in 2002 as the best novel of all time, even ahead of In Search of Lost Time by Proust and War and Peace by Tolstoy, in a survey conducted by the Swiss Writers’ Association of 100 authors from around the world.

Sales Rank: #74658 in Books
Published on: 2016-01-26
Original language: Spanish
Number of items: 1
Dimensions: 7.80" h x 2.10" w x 5.20" l, .0 pounds
Binding: Hardcover
1380 pages

Language Notes
Text: Spanish

About the Author
La colección

En 2004, y coincidiendo con la celebración del IV Centenario de la Publicación de la Primera Parte del Quijote, la Real Academia Española y la Asociación de Academias de la Lengua Española iniciaron un proyecto de edición de grandes obras de la literatura en español. Concebido como una línea de ediciones conmemorativas ocasionales y de circulación limitada de los grandes clásicos hispánicos de todos los tiempos, dichas obras son publicadas y distribuidas en todo el mundo de habla hispana por Penguin Random House Grupo Editorial bajo su sello Alfaguara.

Hasta la fecha, además del Quijote, han formado parte de la colección las ediciones de Cien años de soledad, de Gabriel García Márquez; La región más transparente, de Carlos Fuentes; Antología general, de Pablo Neruda; En verso y prosa. Antología, de Gabriela Mistral, y La ciudad y los perros, de Mario Vargas Llosa.

________________________________________________________

The Collection

In 2004, coinciding with the celebration of the 400th Anniversary of the Publication of the First Part of Don Quixote, the Real Academia de la Lengua Española (RAE) and the Asociación de Academias de la Lengua Española began a project of editions of the great works of literature in Spanish. Conceived as a line of limited-circulation special commemorative editions of the great Spanish-language classics of all time, these works are published and distributed around the Spanish-speaking world by Penguin Random House Grupo Editorial under its Alfaguara imprint.

To date, in addition to Don Quixote, the collection includes editions of Cien años de soledad by Gabriel García Márquez, La región más transparente by Carlos Fuentes, Antología general by Pablo Neruda; En verso y prosa. Antología by Gabriela Mistral, and La ciudad y los perros by Mario Vargas Llosa.

Most helpful customer reviews

17 of 19 people found the following review helpful.
Excelente libro, muy buena edición digital
By J. Montero
Este libro es una maravilla. Recuerdo que siempre me ponían a leerlo en mis clases de Español cuando estaba en el colegio, y le daba largas porque no me gustaba. Es cierto que el lenguaje es un poco antiguo, pero la historia aquí contada es tan ingeniosa que supera con creces todo lo que yo haya conocido. Ahora que encontré esta edición para Kindle, me puse a leerlo de nuevo y es fascinante.

Esta edición digital me gusta por varias razones. La primera es que es directa, no tiene gran introducción y el lector puede comenzar a leer las aventuras desde el primer momento. El índice funciona bien, aunque en el lector para computadora se ve un poco extraño, pero logra su cometido. Tiene además las cartas iniciales en donde se especifica la tasa del libro, acompañada de la carta del rey y de varios poemas muy interesantes.

No puedo decir más. Un clásico.
¡Y pensar que fue escrito hace unos 400 años!

9 of 9 people found the following review helpful.
While it is a pretty book, color pictures
By S. King
This review is for the Susaeta edition of Quijote. While it is a pretty book, color pictures, it is incomplete. It only has 28 of the 52 chapters for book 1, and 27 of the 74 chapters of book 2. Apparently this is a children's version, but Amazon has it listed with the standard version of the book. My biggest complaint is that Amazon has them all grouped together, so I thought I was getting a different version with a hard back cover. The reason I'm giving it 2 stars is because Amazon screwed up, not the publisher or seller. This book needs to be listed completely separately other version with a description that says it is an abridged version for children.

Este libro es la versión de Susaeta para niños. No es la versión completo. Sólo tiene 28 de los 52 capítulos del primer libro y 27 de los 74 capítulos del segundo. Amazon ha puesto esta versión con las demás versiones y necesita separarlas. Tiene dibujos bonitos en color, pero debe decir en la descripción que es una versión abreviada.

9 of 10 people found the following review helpful.
Could have been better!
By J. Thiry
This classic contains many antiquated words, therefore an abridged audio book version was welcome. Unfortunately, this production has flaws that prompted me to give up three quarters into it. Firstly, such a heavily abridged version should have concentrated on the main story, i.e. the adventures of Don Quijote and Sancho Panza, rather than get bogged in the many secondary stories. For instance, it contains too much of the soap-opera-like story of Don Fernando and Luscinda, while the episode where Don Quijote frees the convicts is only hinted at. In many places there are such gaps in the telling of these digressive secondary tales that you get lost. Replacing ancient word forms ("formosura") by their modern equivalents ("hermosura") was a good idea but why not do so throughout instead of only in the beginning? In fact there is a drop in quality towards the end and the undisputed talent of the speakers was wasted when they kept reading out sentences in an intonation out of step with their meaning ; or when they rendered whole sentences unintelligible by missing words (verbs, prepositions etc.). Had the speakers got bored with their job in the end? Were they running out of time or out of budget?

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Don Quijote de la Mancha. Edición RAE / Don Quixote de la Mancha. RAE (Real Academia Espanola) (Spanish Edition), by Miguel de Cerv PDF
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