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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence, by Martin Gayford
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From October to December of 1888, Paul Gauguin shared a yellow house in the south of France with Vincent van Gogh. They were the odd couple of the art world -- one calm, the other volatile -- and the denouement of their living arrangement was explosive. Making use of new evidence and Van Gogh’s voluminous correspondence, Martin Gayford describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Gayford also makes a persuasive analysis of Van Gogh’s mental illness -- the probable bipolar affliction that led him to commit suicide at the age of thirty-seven. The Yellow House is a singular biographical work, as dramatic and vibrant as the work of these brilliant artists.
- Sales Rank: #385744 in Books
- Brand: Mariner Books
- Published on: 2008-04-24
- Released on: 2008-04-24
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .84" w x 5.50" l, .73 pounds
- Binding: Paperback
- 352 pages
- Great product!
From Publishers Weekly
Starred Review. Van Gogh's reputation in the public imagination has been made as much by his descent into madness as by his art. Detailing the final year of his life and the "Studio of the South" in which Gauguin and Van Gogh painted side by side, Gayford brings the art back into focus. Explications of the works illuminate the collaboration—similar subjects find very different treatment by two entirely different temperaments. Yet their influence on each other is everywhere—a story that Van Gogh recommends to Gauguin finds its way into a painting; Van Gogh uses the jute canvas that is Gauguin's material of choice. While some of this is well-trodden territory, Gayford's narrative is genuinely dramatic as it moves toward Van Gogh's fateful end. Gayford makes exciting new connections between the tone of Van Gogh's correspondence and known scholarship about his probable bipolar disorder. The influences of literature, the news media and so-called "hygienic excursions" (visits to the local brothels) percolate in these letters and under the surfaces of the artists' canvases. So, argues Gayford, were they invading Van Gogh's mind. Though it is impossible to entirely understand what motivated these two great artists during their weeks together in Arles, these pages deliver as close and vivid an image as may be possible. 60 b&w illus. (Nov. 14)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–In an accessible and even affectionate work of art history, Gayford tells of the two artists who lived and worked in the South of France in the fall of 1888. Their story is told in short episodes, reconstructed through the formal analysis and comparison of the paintings they created during this period, and through letters and newspapers that place the work in the context of the contemporary art world, popular literature, and current events. Their time together culminated in Van Gogh's famous ear-cutting incident (which is revealed on the jacket copy), teens with an interest in the artist's colorful yet short life may take to Gayford's somewhat breathless approach leading up to the big event. The author delights in the quotidian details of his story: the joint visits to local brothels, how the weather may have affected work habits, Gauguin's cooking skills. The biggest drawback is the use of small black-and-white photos of paintings. Suggest that teens read this alongside larger monographs with color reproductions to appreciate the art fully.–Jenny Gasset, Orange County Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In this intelligent and engrossing book, Gayford offers an unusually vivid retelling of the famous events of late 1888, when Vincent van Gogh and Paul Gauguin shared a studio in a small town in southern France. Relying heavily on their voluminous correspondence (written mostly to Theo van Gogh, Vincent's brother and Gauguin's art dealer), Gayford follows their trajectory from harmony to discord and, finally, van Gogh's madness. The book reveals the complicated dynamics of the relationship: desperately lonely, van Gogh wanted Gauguin to remain in Arles as long as possible, yet his increasingly vehement arguing repelled his friend. And better than most others who have attempted it, Gayford illuminates how the two artists influenced each other's work. Van Gogh, for instance, might never have completed one of his masterpieces, his final version of The Sower, without the lessons provided by Gauguin's diagonal compositions and foregrounded figures. Gayford persuasively diagnoses van Gogh's illness (bipolar disorder) and even provides a plausible rationale for the notorious incident of the artist's lopping off of his own ear. Kevin Nance
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
46 of 46 people found the following review helpful.
Interesting biography of famous painters
By Armchair Interviews
Subtitled: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles
A not-yet-famous Vincent Van Gogh rents a small yellow house in Arles in the south of France, hangs his paintings on the walls, sets up a studio, and invites a not-yet-famous Paul Gauguin to stay with him there and paint. Gauguin moves in, and a turbulent nine-week period of artmaking and everyday life begins.
In The Yellow House, Martin Gayford has combined thorough biographical research of two of the most important artists in history with moving and suspenseful storytelling. He invites readers to live, briefly and chaotically, with Van Gogh and Gauguin. Covering a short period of both artists' lives, the book focuses on details of the everyday, taking the reader into the very small space the two artists shared until it is possible to feel equally the mild claustrophobia and the exhilaration of watching a masterpiece being painted.
This period of time is a crucial one for both artists, and Gayford shows how their living and working together deeply affected both of their development. They shared ideas and meals, disagreed and mimicked one another, and each created some of his greatest masterpieces during this time: Van Gogh's Sunflowers and Gauguin's Vision of the Sermon among them. But all was not well. Less than two months after Gauguin arrived in Arles, Van Gogh suffered the famous breakdown which led him to cut off his own ear.
With masterful storytelling, Gayford builds toward this crisis, describing the tension between Van Gogh and Gauguin, while sensitively exploring Van Gogh's developing mental illness. The result is a vivid and dramatic glimpse into the minds and hearts of two of history's greatest painters.
Armchair Interviews says: Observe these famous artists through this book.
1 of 1 people found the following review helpful.
Favorite Van Gogh Book
By Bobbie J. Montgomery
I so loved this book. It is well written, incredibly interesting, and gives a lot of examples of paintings of Van Gogh and Gauguin, along with the orientation of what they were doing in their day to day lives and how their perspectives differed in general, as well as in the individual pieces they painted at the same time, same space, and sometimes same subject. Their relationship was so fascinating. I never wanted this book to end! The book also discusses the relationship of Van Gogh to his brother, the people immediately around him, and other artists...and explores his thought processes about these people and his circumstances. Also included is a good bit of biography leading up to his time at the Yellow House. The format was well done for my iPhone. I've had to exclusively read this book on it, and I still greatly enjoyed every minute.
0 of 0 people found the following review helpful.
Quality of the printing is poor!
By Amazon Customer
The paper quality of the book is quite poor and affected the prints!
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