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Haunted all her life by feelings of terror and emptiness, forty-nine-year-old Urania Cabral returns to her native Dominican Republic - and finds herself reliving the events of l961, when the capital was still called Trujillo City and one old man terrorized a nation of three million. Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become a way of life. But Trujillo's grasp is slipping. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. In this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' (Bookforum), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit.
- Sales Rank: #74237 in Books
- Brand: Vargas Llosa, Mario/ Grossman, Edith (TRN)
- Published on: 2002-11-09
- Released on: 2002-11-09
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .75" w x 5.45" l, .90 pounds
- Binding: Paperback
- 416 pages
Amazon.com Review
Mario Vargas Llosa, a former candidate for the presidency of Peru, is better placed than most novelists to write about the machinations of Latin American politics. In The Feast of the Goat he offers a vivid re-creation of the Dominican Republic during the final days of General Rafael Trujillo's insidious and evil regime. Told from several viewpoints, the book has three distinctive, alternating strands. There is Urania Cabral, the daughter of Trujillo's disgraced secretary of state, who has returned to Santo Domingo after more than 30 years. Now a successful New York lawyer, Urania has never forgiven her aging and paralyzed father, Agustín, for literally sacrificing her to the carnal despot in the hope of regaining his political post. Flipping back to May of 1961, there is a group of assassins, all equally scarred by Trujillo, waiting to gun the Generalissimo down. Finally there is an astonishing portrait of Trujillo--the Goat--and his grotesque coterie. Llosa depicts Trujillo as a villain of Shakespearean proportions. He is a preening, macho dandy who equates his own virility with the nation's health. An admirer of Hitler "not for his ideas but for the way he wore a uniform" (fittingly he equips his secret police force with a fleet of black Volkswagen Beetles), Trujillo even has his own Himler in Colonel Abbes Garcia, a vicious torturer with a predilection for the occult.
As the novel edges toward Trujillo's inevitable murder, Urania's story gets a bit lost in the action; the remaining narratives however, are rarely short of mesmerizing. Trujillo's death unleashes a new order, but not the one expected by the conspirators. Enslaved by the soul of the dead chief, neither they nor the Trujillo family--who embark on a hideous spree of bloody reprisals--are able to fill the void. Llosa has them all skillfully outmaneuvered by the puppet-president Joaquín Belaguer, a former poet who is the very antithesis of the machismo Goat. Savage, touching, and bleakly funny, this compelling book gives an all too human face to one of Latin America's most destructive tyrants. --Travis Elborough, Amazon.co.uk
From Publishers Weekly
"This wasn't an enemy he could defeat like the hundreds, the thousands he had confronted and conquered over the years, buying them, intimidating them, killing them." So thinks Rafael Trujillo, "the Goat," dictator of the Dominican Republic, on the morning of May 30, 1961 a day that will end in his assassination. The "enemy" is old age at 70, Trujillo, who has always prided himself on his grooming and discipline, is shaken by bouts of incontinence and impotence. Vargas Llosa divides his narrative between three different story lines. The first concerns Urania Cabral, the daughter of one of Trujillo's closest associates, Agustín Cabral. She is 14 at the time of the Trujillo assassination and, as we gradually discover, was betrayed by her father to Trujillo. Since then, she has lived in the U.S. At 49, she impulsively returns on a visit and slowly reveals the root of her alienation. Urania's character is a little too pat, however. Vargas Llosa's triumph is Trujillo's story. We follow the sly, vile despot, with his petty rages, his lust, his dealings with his avaricious family, through his last day, with mingled feelings of repulsion and awe. Like Stalin, Trujillo ruled by turning his rage without warning against his subordinates. Finally, Vargas Llosa crosscuts Urania's story and Trujillo's with that of Trujillo's assassins; first, as they wait to ambush him, and then as they are tracked down, captured and tortured to death, with almost medieval ferocity, by Trujillo's son, Ramfis. Gathering power as it rolls along, this massive, swift-moving fictional take on a grim period in Dominican history shows that Vargas Llosa is still one of the world's premier political novelists. (Nov.)Forecast: Vargas Llosa is on solid ground with The Day of the Goat, mining a rich vein. The former Peruvian presidential candidate's author tour should attract crowds, and a striking jacket will seduce browsers.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Vargas Llosa's fictional portrait of ruthless Dominican Republic dictator Rafael Trujillo focuses on the end of the old "goat's" life. Trujillo, who well understood that his power depended upon the United States, is said to have sought his protection and promotion by paying Congressmen and other U.S. "leeches" the equivalent of the annual military aid his nation received from Washington. Although the United States eventually got fed up with his excesses, its fear of a second Communist regime in the Caribbean kept him in power. So entirely ruthless was Trujillo that he even dispatched his physician off the docks of Santo Domingo, at the time named Ciudad Trujillo, when he was told that his prostate was cancerous. Vargas Llosa relates Trujillo's story from the perspective of Urania Cabral, a successful New York lawyer who has spent a lifetime in exile but returns to her homeland when the tyrant is finally murdered. Urania hopes to rid herself of the demons that have possessed her since 1961, when as a teenager she was battered and humiliated by the impotent and vindictive old dictator. Vargas Llosa, one of Latin America's master storytellers, has retold this nightmare with evenhanded eloquence and exuberant detail. Recommended for all but squeamish readers.
- Jack Shreve, Allegany Coll. of Maryland, Cumberland
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
93 of 99 people found the following review helpful.
A harsh time in history when ruthlessness ruled
By Linda Linguvic
Rafael Trujillo ruled the Dominican Republic with an iron hand from 1930 to 1961. His cruelty and brutality could sentence people to disgrace, torture or death on a whim. His lust for power and women was insatiable, and a climate of fear was everywhere. Mario Vargas Llosa, the prize winning Peruvian author knows his subject well. And in this novel, he uses his best storytelling talents to recreate that harsh time in history when ruthlessness ruled. The known facts are all there, re-interpreted by the author to facilitate our understanding of what it must have been like to live through those awful times. And the few fictional characters are there to help tell the story.
The story is told through three different viewpoints. The first is set in the present day, when a middle-aged female attorney who has lived in the United States since the age of 14, returns to the Dominican Republic. She's full of anger at her invalid father who was once an official in Trujillo's government, and it is only at the very end of the book that we understand why. But as she meets her relatives and finally lets them hear her personal story, two other compelling narratives are taking place in alternating chapters which are set in 1961.
The reader gets a chance to see into the mind's eye of Rafael Trujillo himself. He's 70 years old now. Always immaculately well groomed, he's embarrassed by bouts of incontinence. And he's also finding it difficult to consummate his erotic encounters with young women. He's upset about these matters, but his mind is razor sharp, deeply involved in the political intrigues that are his forte, and able to force his underlings to shiver in terror at the whims of his disfavor.
And then there is a group of assassins, who we first meet as they wait in the darkness to ambush his car on a lonely road. Each of these men has a good reason to hate the dictator. Each has a sorrowful story and as each story unfolds, I was able to better understand the vast mosaic of the evil regime and its effects on their lives and those of their relatives. I was horrified at the many acts of cruelty they had to endure. And I found myself worrying about the safety of their families.
Then it happens. We all knew it would. After all, it's in all the history books. Rafael Trujillo was assassinated.
But this is not a joyful conclusion. The regime didn't fall. And the punishments meted out to the perpetrators by Trujillo's son were the epitome of mercilessness. I wish the story wasn't true. It would be nice if I could think of it as a figment of the author's imagination. But alas, that is not the case.
I literally couldn't put the book down and I devoured the author's words, letting them take me to the place he intended. He brought me right into the Dominican Republic during those awful times and into the hearts and minds of the very real human beings who lived through it. It was a voyage into the evil mind of Trujillo. And it also gave me an understanding of the forces that shaped the Dominican Republic. And, weaving it all together is the story of a woman who seemed to escape. Or did she?
I give this book my highest recommendation.
47 of 49 people found the following review helpful.
A brilliant and disturbing literary masterpiece.
By Roy E. Perry
If you think a novel about the Trujillo Era (1930-61) in the Dominican Republic would be boring, think again. Mario Vargas Llosa's THE FEAST OF THE GOAT is a work of literary brilliance.
"Literature is fire," writes Vargas Llosa, a writer touted by critics to become the next Spanish-American writer to win the Nobel Prize for Literature, and his latest novel radiates with the incendiary heat of Machiavellian politics, sexual obsession, and bestial brutality.
To the inhabitants of the Dominican Republic, Rafael Leonidas Trujillo Molina was known as Chief, Generalissimo, the Benefactor, the Father of the New Nation, and His Excellency. To his enemies, Trujillo was the Beast and the Goat.
For more than three decades, Trujillo ruled the Dominican Republic with an iron fist. He had cut the Gordian knot of the "Haitian problem" by having between 10,000 and 15,000 Haitians slaughtered.
In 1961, writes Vargas Llosa, "the country had touched bottom, placed under quarantine because of the excesses of a regime which, although in the past it had performed services that could never be repaid, had degenerated into a tyranny that provoked universal revulsion."
On the mild, starry night of Tuesday, May 30, 1961, the 70-year-old Trujillo, suffering from bouts of incontinence and impotence, was being driven from his palace in Ciudad Trujillo (Santo Domingo de Guzman) to his Mahogany House in San Cristobal, for another of his orgies--"to prove again he was a man." On the highway to San Cristobal, seven men stationed in three cars lay in ambush to assassinate him.
THE FEAST OF THE GOAT has three storylines:
(1) The story of Urania Cabral, now 49, who returns to the Dominican Republic in 1996, after 35 years absence from her homeland. At age 14 she had been cynically betrayed by her own father, Sen. Augustin Cabral, one of the highest-ranking officials in the Trujillo regime.
(2) The story of those who plotted a military-civilian junta and were successful in tyrannicide but were captured by Trujillo's son.
(3) The story of Trujillo himself, who (like Joseph Stalin, but on a lesser scale) accomplished much good but was also "the person in whom all the strands of the dread spider web [of tyranny, corruption, and terror] converged."
THE FEAST OF THE GOAT is not for the squeamish. Its explicit language and shocking scenes of sex, violence, and torture depict the decadent life of "a small country, a huge hell."
In a novel of this type, however, such excesses are non-gratuitous; one cannot imagine an adequate or realistic description of the Trujillo Era apart from such graphic scenes.
The entire atmosphere of the Trujillo Era has a Kafkaesque quality. Like something in The Trial, a person could be arrested, tried, tortured, and executed and never discover his offense. Perhaps the greatest tragedy of Trujillo's dictatorship is that it caused men such as Sen. Augustin Cabral, who otherwise would have remained decent, to betray their own flesh and blood.
Although the word masterpiece often is overworked, I shall risk it here. THE FEAST OF THE GOAT may well be the best novel of the year.
58 of 64 people found the following review helpful.
A Contemporary Classic
By Julio Belen-Publicist
Mario Varlgas Llosa is easily on my personal list of all-time Great Latin American Authors. I have been an avid fan for quite some time and have read several of his masterpieces: La ciudad y los perros (1960), the novel that launched his literary career and caused a sensation in the literary world when it was published ... and initiated the second phase of the "boom" in Latin American literature; la casa verde (1964); Conversacion en la Catedral (1964); and La verdad de las mentiras (1990). The current THE FEAST OF THE GOAT (La Fiesta del Chivo) is written with an insurmountable rhythm and precision that is classic Vargas Llosa. Those of us who lived during the unbelievably nightmarish Tujillo Era and in the ghoulish shadow of the Dictador under Balaguer (especially the infamous "12 Years") recall all too well the ruthlessness of this beast. The author handles ingeniously the characterizations and events of the period. And therein lies the mastery of this political-socially astute and innovative writer: his expanded concept of reality and his precepts about literature being born of a reality that is actually lived. This story is powerful. In honestly, however, I take serious issue with Vargas Llosa in that he does not give appropriate credit to a few present-day Dominican literary giants like Frank Moya Pons, Bernardo Vega, Roberto Cassa, and Jose Michel Cordero ... for their already published, widely respected historical research [upon which most every writer draws for accurate historical perspective] on the subject. Only a Vargas Llosa, I suppose, has the literary supremacy to pull it off so cleverly. Nevertheless, this is a novel that will enlighten the reader about the last days of the Trujillo Era and the psyche of "el Chivo"...goat. Pay very close attention to the quite, unassuming poet-president. Vargas Llosa is a priceless literary treasure.
Alan Cambeira
Author of AZUCAR! The Story of Sugar (a novel)
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